Classroom Extensions

Category: History and the Everyday

Teenie Harris and Picturing the City artists capture everyday moments as well as major events in Pittsburgh’s history. A comparison of people going about their daily lives with important events and famous figures makes for a rich discussion about history: when does it happen? Who decides what goes into the history books? How do we learn about it? How can we contribute to the discourse?

These photographs allow for both discovery of their historical significance, as well as how they can be personally relevant to the viewer.

Become a Historian

This exercise can help students discover how history is written. A good place to start would be to research the history of the Hill District through Teenie Harris’s photographs.

Pick photos from different eras and explore how people, places, and events have changed over time—and why. You can view Harris’s photos by theme or thread to find a sequence of images with similar content that range from the 1930s to the 1970s. How is change evident in the photographs?

You can also research some of the important figures from the civil rights era.

Lead a discussion comparing Teenie Harris and the Picturing the City photographs in terms of race and gender relations.

What do you notice? How have things changed over time?

Research additional legislation since these people, places, and events were photographed (examples such as civil rights, equality, etc.).

Historical Perspectives

Compare everyday experiences to major events. How can both be considered history? How can regular activities be history as much as major events? When does something become history?

Identify both everyday occurrences and major events in your history book. What point of view about history does your textbook take? What else could be included?

Is history happening right now? Five minutes ago? Or is history only in the more distant past?

Find examples of major events represented in Teenie Harris’s work. Research how they were described in their own time. Are they discussed differently now?

Describe contemporary events from your current perspective. You can use Picturing the City photographs or ones the students take of their school neighborhood. What might it look like to someone looking back 50 years from now?

Discuss examples of trustworthy sources for history.

How do people change when they know they are being watched or photographed?

Read about Harris’s connection to the neighborhood and people he photographed.

Oral History

Many of the photographs in the Teenie Harris exhibition are linked to audio recordings of people who knew Teenie and his work . This project could present new perspectives on history and how individuals and their everyday lives play an important role in understanding and exchanging ideas about history.

Have students find an older family member or person in the community. Ask them to interview that person about a selection of Teenie Harris images from a time when they were alive.  Get their opinions and perspective of that time through the photographs. Ideally students should find people to talk to from a range of times (1930–70s) represented in Teenie Harris’s photographs.

Students could photograph the person and plot the new photographs and interviews along a historical timeline.

Make comparisons with Picturing the City photographs. Students can share their perspective on what’s happening today. Ask students to imagine being interviewed in the same way when they are older—what would they want to tell someone about what was happening “in their day”?

Share your findings with the class.

Document and share students’ current insights and opinions about the Picturing the City photographs. These ideas could be recorded using journals, writing prompts, audio recordings, or visual arts projects.

Journal as Personal Document

Teenie Harris documented over 40 years of his personal experiences and interactions with others through his photographs. You can make a small-scale version of his body of work and recognize the influence of one person over time. The photographers in Picturing the City documented the changes and people, places, and events around downtown Pittsburgh over three recent years (from 2007–2010).

Discuss what can be concluded from examining many photographs, as opposed to just one or two.

How can we document our own lives, and as artists, make these everyday occurrences interesting? What does it tell us about ourselves, our neighborhoods? The world?

How can studying the past and observing the present help us be more thoughtful about possibilities for the future?

Challenge your students to be observant of the people, places, and events around you for a short period of time (maybe a few days or a week). Different prompts could be used each week to narrow or adjust the focus for your students.

Ask your students to collect things that they find, including pictures, objects, and ideas. Have them make note of new things that they become aware of because of their observations. Ask them to share with others. What do they learn about each other through their collected observations, notes, objects, etc.?

The class could start a blog about these everyday events. As a collection, these reflections and findings become a body of work, like Teenie Harris’s body of work.

Creating Historical Fiction

Students can create imaginative and historically based narratives, inspired by Teenie Harris and Picturing the City photographs. A combination of close observation and research on the people, places, events, and time period can produce relevant investigations.

Students should:

  1. Select a photograph by Teenie Harris or a Picturing the City artist that interests them.
  2. Make a list of observations (who, what, where, etc.) and jot down any questions they have about the people, places, or events.
  3. Do research connected with the people, places, events, and time period.
  4. Create dialogue between characters and/or imagine a larger storyline beyond the photograph.
  5. Share how stories reflect both research and imagination.

The follow-up conversation could address questions like: What impact does the photograph have on me? What does it say about its time and the impact on the people who lived during those times?